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“1950’s England saw increased dilapidation and depression in working-class neighborhoods, and the import of American rock n’ roll. Narratives of the post-war individual rebuilding the self are far and wide, though tales of how a style can communicate this are harder to find. The Teds’ drape coat–easily identified with their mid-thigh length, slim-straight silhouette, and velvet cuffs and collar, most recently seen by aristocrats and middle class alike on Downton Abbey–and “drainpipe trouser,” as they were called, rejected England as much as it celebrated and reestablished it.” (via Proper English: The Teddy Boy Suit and Its Tiny Revolution | Vol. 1 Brooklyn)

“1950’s England saw increased dilapidation and depression in working-class neighborhoods, and the import of American rock n’ roll. Narratives of the post-war individual rebuilding the self are far and wide, though tales of how a style can communicate this are harder to find. The Teds’ drape coat–easily identified with their mid-thigh length, slim-straight silhouette, and velvet cuffs and collar, most recently seen by aristocrats and middle class alike on Downton Abbey–and “drainpipe trouser,” as they were called, rejected England as much as it celebrated and reestablished it.” (via Proper English: The Teddy Boy Suit and Its Tiny Revolution | Vol. 1 Brooklyn)

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    FUCK YEAH TEDDIES
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