But then I think I suffer from one of the prejudices of my age, and perhaps a peculiarly American one, more than I might like, as, well, it drives me crazy in others. This is the belief that a writer must necessarily be a good person—or a person I have any affinity with at all—if I have an affinity with their work.
Alexander Chee reads Janet Malcolm’s Two Lives, and makes some smart observations about art and politics and more. Two Lives, More | Koreanish
